I’ve just arrived to a warm welcome at AUSCCER for a ten week visit from Durham University in the UK. After being installed at my desk with a computer now up and running, I’m raring to post on the AUSCCER blog. So a bit about my research. My PhD project is exploring the politics of creative practices, particularly performance, through a set of examples located in Bristol in the UK. Through theatre, spoken word and Carnival, I’m asking who can take part in performance in the city, as well as why and how they are able to do so. Broadly, this interrogates the relationship between creativity, memory and belonging, asking what ‘postcolonial’ might mean in Bristol, a city that grew as a node in the Atlantic slave trade, and as a site of settlement for Caribbean migrants from (eventually former) British colonies. Rather than focusing purely on the content of performance (ie variants on both Goffman’s and Butler’s differing theorisations of identity as performance), I have been interested in how contests over place and belonging emerge through the manners in which these events are put together, attended and disseminated. This relationship between creative practice and everyday life was what brought me to AUSCCER. The visit has been funded by my UK government funding body, the Economic and Social Research Council. Whilst here, I will be working with Professor Chris Gibson with the aim of submitting an article for publication by the end of my visit. I will also participate in the departmental seminar series, as well as engaging in many informal corridor, tea-room and coffee-based conversations!