This post was originally posted on the ‘Working the Tweed’ site; a ‘Year of Natural Scotland 2013’ funded collaboration between artists and environmentalists in the Scottish Borders. The post is a conversation between AUSCCER’s Leah Gibbs, and Working the Tweed artists Kate Foster and Claire Pençak.
In the project Working the Tweed, we set out to work with different kinds of specialist knowledge. This yields various ways to think about the Tweed Catchment, and make different artistic connections and new kinds of maps. We are thinking through what we, as artists, might offer in engaging with projects that deal with sustainable land-use and the realities of environmental change. We are delighted to be able to converse with Leah Gibbs, a human geographer at the University of Wollongong, whose work concerns the cultures and politics of water. Leah has considerable experience of multi-disciplinary work focusing on land management. She explains her concept of ‘passing-through places’. This overlaps with Kate Foster’s ideas of documenting ‘so-far stories’, and Claire Pençak’s thinking on improvisation as a way to investigate relationship to place through movement.
KF: Leah, you have written about ‘passing-through places’, which is an intriguing idea and keeps coming to mind as we plan the Working the Tweed project. Can you explain why you find the concept of ‘passing through’ helpful, and how you came to adopt the term? Continue reading