Agnieszka Golda | 1 June 2016
The sound of a familiar voice directs my attention towards my favourite movie. The opening narration to the cinematic rendition of J. R. R. Tolkien’s The Lord of the Rings told by the elven Lady Galadriel of Lothlórien:
The world is changed. I feel it in the water. I feel it in the earth. I smell it in the air. Much that once was, is lost…
surely strikes a chord in all those particularly sensitive to climate change and shifts in ecological conditions. It’s uncanny how Galadriel’s poetic expression of lament evokes Paul Crutzen’s important remarks: “The world has changed too much… we are in the Anthropocene.” While Tolkien’s fantastical Middle-earth exposes the devastating impact of industrialised modes on nature, the geologic concept of the Anthropocene warns of an approaching climate tipping point. Lets hope, that it becomes an affective device, as the Last March of the Ents (urged by the most unlikely creatures imaginable, the Hobbits) for shifting beyond a state of human centred perspective.
I’m yet again captivated by the view outside my studio window. There, in close proximity, stands an ancient mountain called Mt Keira. Lush and green, its peak surrounded by a crown of puffy white clouds, serves as a timely reminder of forests’ extraordinary capacity to influence local weather and stabilise regional climate. This remarkable ability to manage water has earned forests the prestigious status of being the most biologically diverse ecosystems on the planet. In fact, while more than two thirds of all terrestrial species survival directly hinges on forests, the ecological resilience of forests depends strongly on their biodiversity. Sadly, the long-term, cumulative effects of anthropogenic impacts on forests have brought about their colossal disappearance and therefore equally irreversible loss of the diversity of life on Earth.
My recent collaborative projects are driven by a strong interest in deep ecology, mindfulness and unearthing ecocentric strategies for responding to the Earth’s sixth mass extinction event. This ecological crisis raises important questions for artists: how can artistic actions and imagination, bolster and safeguard Earth’s energies? Even though, portrayals of diminishing ecosystems give rise to feelings of dread, collaborations often instigate unforeseen alliances and resistances that can instill feelings of hope – a desire for change in a particular place. As Galadriel reminds us: Yet hope remains while the company is true.